Ai Weiwei. Yep, him again. It seems like nowadays everyone knows of the Chinese artist/dissident. His show at the Hirshhorn in DC was called “According to What?” and ran from October 7, 2012, to February 24, 2013. So yes, this means that I have been sitting on this post for … quite a while. Forgive me!
There was a pretty fascinating article about Ai Weiwei in The New Republic that’s worth a read. “Noble and Ignoble” by Jed Perl is basically about how Ai Weiwei kind of sucks as an artist, and while I kind of like Ai Weiwei’s work, I do agree that the work (which is fairly minimal in itself) owes a lot of its impact to the figure of Ai Weiwei the political dissident and not to Ai Weiwei the artist. But that’s his whole schtick anyway.
“Colored Vases” (2007-2010)
“Tea House” (2009)
My favorite piece was “Tea House” … but I’ve always been quite the minimalist myself and I like tea! A lot of Ai Weiwei’s work relies on having a basis of knowledge and interest in contemporary China and reading that in his works in order to fully flesh it out. Without that support, the artwork is nice but bland. Whatever. He’s making an appearance in my thesis. Then again, pretty much everyone/anyone who has/had anything to say about China is making an appearance in my thesis – it’s a monster (in a small package).