Geng Yini, Dreaming Luminous Pillow, 2013
A skip away from the Rockbund Art Museum is BANK, a gallery that was opened not too long ago by MABSOCIETY. The current show is Dystopia and Its Content(ment)s – 3 Solo Projects, and the space is divided between Marc Lafia’s Tumblrroom, Geng Yini’s Bad Form, and Ma Daha’s Everything which exists is a thought within the Mind of MA DAHA. Hm. I didn’t like any of it. It’s tricky making statements like that because although I found some of the work compelling and thought-provoking and I could appreciate it, I didn’t like it. I found most of it jarring, opaque, and awkward. I like things that I can read into, that I can look at for a long time and constantly discover new things – not necessarily visually, but conceptually and emotionally as well. Most of this stuff just seemed a bit thrown together.
Geng Yini, Every Pain is Precious, 2013
I thought Geng Yini’s work was the most interesting and most well-developed, though I’m not a tremendous fan of her rough aesthetic. I found Marc Lafia’s work absolutely forgettable. And as for Ma Daha’s installation? Oh, now that was a doozy. A crazy I-have-no-words doozy.
Ma Daha, Everything which exists is a thought within the Mind of MA DAHA, 2013
So yep. That’s BANK. But no, no, I can’t leave it at that. To me, Dystopia and Its Content(ment)s was a miss, but by no means am I suggesting you should skip it or write it off. Perhaps you’ll read something into it that I wasn’t able to grasp. After all, that is the allure of art – its openness. At a recent gallery opening one of the attendees was saying how he doesn’t ‘understand’ art. But I think that’s a common misconception. You’re not meant to ‘understand’ art, you’re supposed to enjoy it. I think it comes across as otherwise because the people who write about and work with art can get pretty crazy. My conclusion: Curators have incredible imaginations. We read things that aren’t there. We draw connections, we psychoanalyze our artists, and we shape exhibitions based on our interpretations, prejudices, and fancies. Just because we like art doesn’t mean we like all art – or ‘understand’ it.
Oh! And I almost forgot to mention the best thing about BANK – the space. The gallery space is nice, but the building it’s in is AMAZING. It’s a beautiful neoclassical heritage building, in a decided state of disrepair. The gallery is located on the second floor of the building (what they call the first floor due to using European conventions), but on the ground floor you can really see some of the neglect. It’s quite sad, but also kind of refreshing in comparison to the freshly-painted glitz and shoddy preservation jobs common to China. The building’s a bit forlorn, but in a way that makes it all the more breathtaking.
1/F, 59 Xianggang Lu, Huangpu District, Shanghai
Tuesday to Saturday, 10:30 AM – 6:30 PM